Titanic - 3D (1997)

In December 1997, like just about every guy in America, I was practically dragged by my significant other to see 'Titanic' in the theater. After reading so much about production troubles, the ever-increasing budget, and the release date being pushed from summer to the end of the year, I really didn't have much interest in seeing what I expected would be a complete disaster. It was the weekend right after Christmas, just before the sudden swell of the film's immense popularity, when the media and critics still expected box-office failure -- in spite of the mostly positive reviews and the good word of mouth it had garnered. Little did I know I was part of a major cultural movement that would prove early predictions horribly wrong and suddenly make the world, along with the studios, pay attention to a new demographic with plenty of disposable income. 'Titanic' would not only go on to record-breaking history, but it also introduced us to the "tween" audience, the group largely responsible for making the film an epic success.

And like most every other average guy out there, I was actually surprised. I wasn't really swept away by the movie or convinced it deserved the endless praise, but I was pleasantly satisfied nonetheless. The story of two people from vastly different social classes is nothing new. In fact, it's a rather generic and hackneyed plot — so common and unimaginative, it's downright stale. Coming from James Cameron, the mind behind 'Aliens,' 'True Lies' and 'Terminator 2,' I was dumbfounded such an inventive filmmaker would stoop to something so pedestrian for a movie of this magnitude, essentially affirming my expectation of a doomed production. Adding to my dismay was seeing the kid, Leonardo DiCaprio, who made a strong impression in 'This Boy's Life,' 'What's Eating Gilbert Grape' and 'Romeo + Juliet' the year earlier. Kate Winslet, too, was a serious dramatic actress from 'Heavenly Creatures,' 'Sense & Sensibility' and Kenneth Branagh's 'Hamlet.' What were they doing in something as trite as this?

But like most every female audience member out there, my wife, on the other hand, was enjoying every minute of it. She could care less that the worn-out story had been used countless times before Cameron's 'Titanic' finally set sail on its voyage to cinematic history. She actually valued the plot's simplicity, a straightforward fairytale of star-crossed lovers fighting against social stigmas and eventually for their lives. And guess what? She was right. It's a universal fantasy which captures the imagination, perhaps even the desires, of a very large audience. Because we know the love affair of the free-spirited artist Jack (DiCaprio) and the restless, emotionally-constricted Rose (Winslet) is an ill-fated one, there's a natural sense of tension and doom that immediately draws us into the movie with little effort required. Cameron purposefully used a familiar melodrama that harkens back to the Golden Age of Hollywood, perfect for the plot's 1912 setting and complementing the filmmaker's aspirations for a more regal and dignified period.

Yet, a great deal of my attention was placed elsewhere while sitting through the 194-minute epic romance, which consistently sold-out at theaters for nearly four months straight. And no, it wasn't just the lovely Kate Winslet or her memorable nude scene that kept me invested. I was swept away more by the striking cinematography of Russell Carpenter, adding to that classic Hollywood feel, and I marveled at the technical visual achievement on display. Admittedly, the love story helped tremendously in allowing my mind to gaze in awe at the production design and be astounded by all the historical details. I was captivated by the ship's majestic beauty as young love blossoms while an unfortunate disaster looms ahead, and I was spellbound for 90 minutes, witnessing the unsinkable "Ship of Dreams" slowly descend to the bottom of the Atlantic ocean. Before I even knew it, I was magically transported back to that ill-fated night of 15 April 1912 and found myself enjoying the movie along with my date, tearing to the band playing their final melody and at the sight of seeing a captain go down with his ship.

So, like most every other couple out there who saw 'Titanic' together, we walked out of the theater, hand in hand, entertained by the same film and talked about it the rest of the night. At the time, the lovely lady accompanying me that evening had an ever growing interest in what I did for a living and wanted to discuss further what James Cameron had miraculously achieved. Over dinner, she shared many of her impressions and thoughts while I explained the video from the submersibles at the beginning is actual footage of the real RMS Titanic and that Cameron had the ship built to scale in Baja California. When I think back to that night, I think of one the best movie dates I've ever had in my life, and I also think that's the real genius of what Cameron had done with 'Titanic.' You're not merely watching it; you're experiencing it. For a brief moment, you're on that luxury cruiser heading towards America, enraptured by its splendor and man-made wonder, docking safely on the other side with the memory of a lifetime.

The Blu-ray: Vital Disc Stats

Paramount Home Entertainment offers fans two separate options to own James Cameron's 'Titanic.' The first is a more typical Blu-ray combo pack with four separate discs: two Blu-rays and a standard-def copy spanning two DVDs. For our review, here, the four-disc 3D Blu-ray combo pack finds the first two Region A locked, BD50 discs dedicated entirely to the 3D version of the film. The third is a Region A locked, BD50 disc with the 2D version and audio commentaries. The final disc carries all the special features.

All four sit on flipper plates inside a slightly larger than normal blue keepcase and accompanied by a glossy slipcover with lightly embossed lettering. All available buying options come with a code for a digital download of the movie. At startup, the disc goes straight to 3D main menu with full-motion clips and music.

If I hadn't seen it for myself, I never would have believed it. 'Titanic – 3D' is definitely the best 3D conversion of a catalog title (or of any title, for that matter) we've seen released on the format. Comparatively, natively-shot features surely surpass this romantic favorite when it comes to video quality, yet on its own terms, the video is demo-worthy and spectacular. Considering Cameron is one of the leading pioneers of this latest filmmaking trend and this is also one of his biggest sellers, I'm not all that surprised he would place a personal investment and take enormously great care to ensure the best possible high-def transfer, presented in its open matte aspect ratio of 1.78:1for the first time on home video.

This presentation is not about gimmick effects or astounding audiences with cool camera tricks. It's about immersing viewers and pulling them further into the world of the "Ship of Dreams," creating a sense of almost being there. And on that front, the movie succeeds like a charm. From the moment it commences, we instantly notice the incredible amount of depth and feel as if characters on screen move within a genuine three-dimensional space. The background penetrates deep into the screen, making the hallways and promenade decks feel elongated and far beyond our distance. Whether watching Rose suffer another mindless sit-down chat with snobs or Jack sneaks about in the back, separation of the foreground is sharp and pristine, giving viewers a wonderful pop-up book effect on several occasions. The exterior of the ship and all the interior rooms appear immense and spacious as characters walk around independently of their surroundings.

Even with the darkened glasses, the high-def video is richly saturated with a wide range display of colors, from lush, vibrant primaries and warm, full-bodied secondary hues which bring Russell Carpenter's cinematography to life. Facial complexions appear natural with astounding lifelike textures. Contrast is pitch-perfect with crisp, brilliant whites that add for some highly impressive moments of clarity while black levels remain luxurious and sumptuous with deep penetrating shadows. Definition is razor-sharp and highly-detailed, allowing audiences to fully appreciate the tremendous amount of work and time that was put into the film's making. We can clearly make out the individual stitching and threading of the costumes, practically count each rivet holding the ship together, scrutinize the detailed, ornate woodwork of the grand staircase, and be amazed by the intricate details of the decorations on walls. I could go on and on, but simply put, this 3D presentation is endlessly adorned with so much for the eyes to take in and with the added dimensionality to boot, it's a spectacular show.

Like its name implies, 'Titanic' splashes onto Blu-ray with a colossal audio presentation that adds another immersive layer to the 3D presentation. The DTS-HD Master Audio soundtrack reveals the design to be a rather interesting one that starts off very subtle and understated, but it grows with the narrative into something quite spectacular and engaging. It's as if deliberately broken into two parts, much like the story itself, between a guided tour of the ship and its thrilling sinking.

For the first half, the movie is very front-heavy with only a few scattered pieces of atmospherics, nicely enhancing the soundfield at certain moments. Voices are detailed and precise in the center, and channel separation is well-balanced. With a clean, sharply-detailed mid-range, imaging feels wide and expansive, particularly during scenes on the promenade deck or while in the middle of large gatherings with plenty of convincing off-screen effects. James Horner's musical score spreads across the speakers with persuasive fidelity and acoustics while very lightly bleeding into the background.

It's not until the second half, when the entire sound system suddenly comes alive with thrills and excitement, beginning with some mild directionality soon after the ship crashes with the iceberg. As panic slowly ensues, passengers are heard running around, coupled with the noises of crew members readying for the inevitable. When the ship starts to take in lots of water, the rears display the loud cracks of wood and the bending of steel with enthralling discrete clarity. In the final moments, the screams of people, the splashing of water, and the death moans of the "Ship of Dreams" fills the entire room and envelopes the listening area. The subwoofer also takes a commanding presence with some deeply powerful ultra-low frequency effects which add to the drama and apprehension while the mid-bass provides an effectively impactful punch to other action sequences.

This first half of the film is an interestingly restrained design, but the second half offers an engrossing aural experience, making this a reference quality lossless mix.

'Titanic' hits Blu-ray with the same assortment of bonus features as 2005's three-disc special collector's DVD, which is actually nothing to sneeze at. The package is a treasure trove of goodies fans can spend a good deal of time with. The first two discs are dedicated to the 3D version of the film; the other two contain the supplements with the final disc carrying the bulk of them. Missing, however, is the HBO First Look, an EPK, a Fox special piece and the faux 1912 newsreel.

Disc Three

• Director's Commentary — James Cameron may be riding solo for the first track, but he's surprisingly interesting and engaging. The filmmaker has personally made several visits to the actual wreckage and comes with a wealth of information. It's immediately clear the man has a genuine passion for the history of the ship and loved every minute of bringing its story to the big screen as accurately as possible. He keeps the discussion very technical with insightful comments on the production and the work that went into creating specific aspects. Admittedly, there is a monotonous tone to his voice, but the knowledge he shares with listeners is what makes this a great listen.


• Cast & Crew Commentary — Separate conversations are edited together for this second track. On the crew side, we get comments from producers, assistant directors, camera operators, submersible coordinator, mixer, costume designer, art director and more. They expand on a few of the same technical details Cameron already covered, giving fans an even deeper insight into the making of the film. There's a host of decent info on other areas of the production, from deep-see footage and the CG work to amusing stories of being on set. Representing the cast side of the commentary, we hear the voices of Kate Winslet, Bill Paxton, Kathy Bates, Billy Zane, Gloria Stuart, Frances Fisher, Danny Nucci, Jonathan Hyde, Jason Barry, Victor Garber, Jeanette Goldstein, Ioan Gruffudd, Bernard Hill, Suzy Amis and Lewis Abernathy. It sometimes feels like everyone is interrupting the other conversation although with a good more enthusiasm and humor. The cast, of course, talks more about their characters and performances while sharing anecdotes of the shenanigans during the filming.


• Historical Commentary — Precisely as the title suggests, this audio track spends more time on the ship, the passengers, the ill-fated event and point out the movie's accuracy. Don Lynch is a historian of the RMS Titanic, and Ken Marschall worked on the production as the visual historian. Though not as lively or engaging as the previous two, the conversation still has much to offer and is a worth a listen for the amount of factual information being shared. Granted, much of what they say has already been covered by Cameron, but they're still worth at least one listen, as they seem genuinely amazed at the film's accuracy.

Disc Four

• Behind-the-Scenes (SD, 34 min) — A collection of 31 very brief video clips from the set, mostly showing how specific scenes were accomplished. They're very short, with the longest being footage of cast and crew shooting what's now probably the most memorable scene of the movie. Many feature amusing remarks about the shoot and rehearsals while others focus on the CG work, more deep-sea footage, the use of miniatures and creating little people falling during the big finale. In the end, it's a mixed bag of good and okay.


• Parodies (HD, SD) — Showing that Cameron has a good sense of humor about himself and his work, the filmmaker gives viewers a chance to join in the laughter with this variety of jabs at the film's clichés. The first sketch (5 min) has Ben Stiller and Vince Vaughn pitching a sequel idea during MTV's 1998 Movie Awards. The second is an SNL skit (5 min) from 1999 with Bill Paxton in a different ending to the movie. And finally, Angry Alien's redo of the movie in 30 seconds with bunnies.


• Deep Dive Presentation (SD, 15 min) — James Cameron plays host to the video footage of his real-life expedition to Titanic's final resting place, which convinced Fox to greenlight his expensive movie project.


• $200,000,001: A Ship's Odyssey (SD, 18 min) — Originally called "The Titanic Crew Video" on the DVD, the BTS footage is from the production showing the cast & crew having a good time and in good humor while working on the set.


• Construction Timelapse (SD, 4 min) — Exactly what it implies, and with optional commentary by its creator Ed Marsh. The timelapse footage of the ship and set's construction is really a fascinating watch.


• Videomatics (SD, 4 min) — Three sections of pre-viz footage used by Cameron for planning and storyboarding the visual special effects.


• Visual Effects (SD, 8 min) — Each of the four sections takes a closer look at four specific scenes from a visual effects point of view with a variety of shots before adding their final process.


• Alternate Ending (SD, 9 min) — With optional commentary by James Cameron, the scene is not all that different from the finished product, but it does provide Paxton's character with one final twist to his treasure hunt.


• Music Video (SD) — Celine Dion performs "My Heart Will Go On," the smash-hit was annoyingly played repeatedly for several months.


• Deleted Scenes (HD, 58 min) — Cameron offers another optional commentary with this large collection of excised scenes. They can be enjoyed individually or sequentially, and are placed within context of the final cut. Daunting as the set may look, they're actually worth exploring, as they show more of the action taking place in the final moments of the ship's sinking.


• Still Galleries (HD) — Over a thousand pics broken into six separate groups are presented here: "Titanic Scriptment," "Storyboard Sequences," "Production Artwork," "Photographs," "Ken Marshall's Painting Gallery" and "Concept Posters and One Sheets," which includes stills for the 2012 re-release.


• Trailers (HD, SD) — Six theatrical previews for the film are accompanied by seven TV spots.

One of the biggest box-office successes in movie history features a rather generic and formulaic plot about a pair of star-crossed lovers during the ill-fated maiden voyage of the RMS Titanic. Nevertheless, the incredibly simple story is surprisingly the right approach for immersing audiences into the romance and glamor of the ship once called "The Last Word in Luxury" and its unfortunate plunge to the bottom of the Atlantic. This Blu-ray edition arrives with a spectacular 3D conversion that amazingly adds another immersive experience to the film and an interesting audio presentation that expands with the narrative. The package is also brimming with bonus features that will keep viewers occupied for hours, making this a must-own for devoted 3D fans.